experiencing nature on a human scale

“Nature” is such a big and abstract concept, it can be hard to grasp on a personal level. We often think of it as scenery, something pretty but far away and unimportant to our everyday lives. But when I look down at my feet and pick up a small leaf that has fallen there, nature no longer feels distant or separate — it becomes tangible and real. By trying to understand this individual leaf held in my hands, I experience nature on a personal and more human scale.

Whenever I walk through my neighborhood in Northern New Jersey, I habitually collect the delicate fragments of nature I find in my path — the leaves, sticks, flowers, or seeds that have fallen to the ground, often overlooked and ignored. Back in my studio, I spend days, or even weeks, carefully exploring the unique character and personality of each leaf or seed. It is a slow, careful process of perception, evaluation, and experimentation. By working with abstraction, texture, and form, I create photographs that reveal the complexity buried within in the simplest parts of nature.

how I create my art


Most of my inspiration comes while walking through my neighborhood. My favorite time is right after a storm has blown through, scattering leaves and seeds everywhere. I aways have my eyes open for the overlooked details of nature -- fallen and wind-swept leaves, pine cones that have begun to decay, or flowers pushing through the cracks in the sidewalk.


As I walk, I'll stop and pick up any leaves, sticks and seeds that catch my eye. I carefully examine each fragile piece of nature, holding it to the light and looking for its hidden character or personality. Most get dropped back to the ground, but once and a while, one will reveal something unique. I save these, and bring them home to my studio.

Daniel Sroka at work in his studio


My studio is filled with leaves, bark, and seeds, covering tables and stashed into boxes. I carefully explore each one with my camera. Sometimes the perfect photograph is obvious, but most of the time it is a long, slow journey, where I create hundreds of photographs that experiment with the visual building blocks of line, form, color, texture, and space.


I am searching for that one photograph that is the perfect expression of the leaf's personality, that spark I first noticed on my walk. When I find it, I then continue to work with that photograph, spending days or weeks gently coaxing it into the final work of art. I use no special digital effects in my artwork — my photographs capture what I composed through the lens of the camera.

more about my art